Posted on Feb 03, 2005 07:43 pm
Curmudgeon76
Member Since: Dec 29, 2004
Hey all, I've seen several websites, each with different advice on positioning drum mics (overhead condensers). Currently, I have them on opposite sides of the kit, about 18 inches from the top of the cymbals, pointing straight down at a 90 degree angle to the floor. The mic on the left side is positioned so that the capsule is pointing to the space between my crash, my hi-hat, and my snare. On the right side, the mic's capsule is pointing down at the area between my other crash, my ride, and my floor tom (I know, might be kind of hard to picture without a diagram to accompany this). I saw this setup recommended on one recording engineer's website.
However, I've noticed this setup leading to problems. Mainly that the hi-hat and ride are completely dominating the mix. Even when I play the drums hard, and the cymbals softly, the cymbals (especially the hi-hat and ride) are WAY too loud, and just kind of drowning out the rest of the drums.
I was wondering if anyone could recommend any setups that might be good. I've also tried the X-Y micing from the front/above the kit, but I'm still getting lots of cymbals. Any advice would be appreciated. Thanks.
Justin
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