Home Recording Studio Information and Community
Home Recording Connection brings you all the help, information and community you could ask for regarding home music recording studios. From equipment choices, to using the gear, to learning new techniques with everyone from beginners to our valued long time professionals. Whether you are new to the home recording hobby or not, you can learn something, network a little and have some fun with the community at Home Recording Connection.
Recently Active Forum Topics
If you wish to post a topic, you must first register, validate your registration via email, then login, and then browse to the forum that matches your question, and click the "Add a Topic" button.
The available forums are Recording Techniques, Mixing Techniques, Mastering Techniques, Gear Gab, Computers & Software, Music & Composition, Sampling & Field Recording, Live Sound Reinforcement and Talkin Smack for off topic conversation.
Room treatment in my everlasting journey to better mixes, I know realize that I need to get some traps and wall treatment going. My room is pretty small 11x 13 and I share it with my wife and all of her art stuff(it's a lot!) and with my gear- it's pretty tight.
What is the minimum I should start with? I have 8 Rock wool slabs on order and will begin assembly of some panels when they arrive.
Audition 3.0 transferI have Adobe Audition 3.0 recording software downloaded on my current laptop. How do I "transfer" this current software onto a new laptop computer without having to purchase and download another from Adobe?
Thanks for your help.
Subwoofers in a home theaterSo, this is a mite off topic insofar as recording goes, but I figure there will be some decent opinions to be had from the members.
- 4 Posts
- Updated by Dan B.
- On Sep 14 2014, 06:20 pm in Gear Gab
I built a home theater a while back, slowly assembled gear, and right now I have dual 10" subwoofers in cabs I found in a pawn shop and they sound great, project well, tight, but big sound...epic.
Problem is, I think it's a bit overpowered, but, the sub amp doesn't have a volume adjustment, just a straight power line varied by what is fed into it...with the subs facing outward it's huge...my 13 year old LOVES it, I don't...
I am considering putting 6" table legs on the front and aiming them downward...I have seen bottom firing subs, just wonder if this will lessen the direct impact of the sound before I invest a few dollars, and time into it.
Even considered putting some legs on the back as well, that would then aim up and put a heavy glass top and make them end tables.
New earsI'm all excited and had to share. Some time ago we went to a Presonus StudioLive mixer giving us individual ipad control over monitor mixes. Just received my first set of in-ears. Went with Westone 3x, top of my budget. We are already getting amazing live mixes and now I can't wait to get tracks with no monitor influence. The final decision for us was listening to a play back through the mains and then switching off the monitors. Night and day in clarity.
Eq on a mono track - Or to a Stereo Bus?This is more of a "what would you do" sort of question. I know there's no wrong/right way to do it, but I want to gauge some opinions.
I'm trying to EQ 2 mono guitar tracks (recorded using SM57 on cab speaker; no plugins or digital processing). They're very boomy and crunchy and could use some hi/low shelves + some EQ.
But here's the heart of my issue:
My mono EQ plugins are kinda lame; my stereo plugins kick ***. Would I be better off to EQ each mono track separately or sending them both to the L & R of a stereo bus with the better EQ? MY own opinion says to feed them into the Stereo Bus, but if I do that, I can't figure out how to stop the mono track from still outputting sound (i.e... 2 tracks just became 4). If I reduce the gain on the mono tracks, it drops the gain on the Bus. Is there something I should be looking for to send the output directly to the bus, if possible?
Or, avoid the hastle and just EQ using mono EQ plugins per track?
EDIT: I'm a dumb-***. I just realized all I had to do was disconnect the main mono tracks from the master out. This lets the bus do all the driving (sort of speak).