Mastering the high end

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Member Since: May 14, 2011

Hi
I was just mix/mastering some of my own music and thought it was finished. At a distance it sounds good but head between a bright pair of Philips speakers revealed the harsh high end which is mainly the lead female vocalist. So I spent the next few days trying to fix it with good results by playing with high end boost, high end cut and a de-esser on the vocal track. In the end I have started editing the peaks as a kinder way of de-essing before eqing.

Then I compared it with Bob Ludwig's mastering on some similar music. The highs sound "colder" and the frequency analysis showed his mastering has all the peaks much more tightly controlled, gently falling in the high end, then sharply cut off to 20-22K.

Any tips on how I can get closer to this "cold" sounding pro top end ?

GCT

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Administrator
Since: Apr 03, 2002


Jun 27, 2011 08:18 am

Have you looked at the waveform in a frequency analyzer to see if there is some spike earlier than 20k? You may want to do that...a few of us around here use HarBal for such tasks, it works great for this type of need.

har-bal.com/

Member
Since: May 14, 2011


Jun 27, 2011 12:27 pm

Oh thanks. I'll look into the software. Exactly what I was thinking.

Cheers

GCT

http://www.reverbnation.com/2ndg
Member
Since: Nov 27, 2007


Jun 27, 2011 11:55 pm

in my experience its nearly always things that you boost that need to come down in the end.

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