Jul 22, 2008 05:38 am

[quote]

The CD sampling rate has to be larger than about 40 kHz to fulfill the Nyquist criterion that requires sampling at twice the maximum analog frequency, which is about 20 kHz for audio. The sampling frequency is chosen somewhat higher than the Nyquist rate since practical filters neede to prevent aliasing have a finite slope. Digital audio tapes (DATs) use a sampling rate of 48 kHz. It has been claimed that thier sampling rate differs from that of CDs to make digital copying from one to the other more difficult. 48 kHz is, in principle, a better rate since it is a multiple of the other standard sampling rates, namely 8 and 16 kHz for telephone-quality audio. Sampling rate conversion is simplified if rates are integer multiples of each other.

From John Watkinson, The Art of Digital Audio, 2nd edition, pg. 104:

In the early days of digital audio research, the necessary bandwidth of about 1 Mbps per audio channel was difficult to store. Disk drives had the bandwidth but not the capacity for long recording time, so attention turned to video recorders. These were adapted to store audio samples by creating a pseudo-video waveform which would convey binary as black and white levels. The sampling rate of such a system is constrained to relate simply to the field rate and field structure of the television standard used, so that an integer number of samples can be stored on each usable TV line in the field. Such a recording can be made on a monochrome recorder, and these recording are made in two standards, 525 lines at 60 Hz and 625 lines at 50 Hz. Thus it is possible to find a frequency which is a common multiple of the two and is also suitable for use as a sampling rate.

The allowable sampling rates in a pseudo-video system can be deduced by multiplying the field rate by the number of active lines in a field (blanking lines cannot be used) and again by the number of samples in a line. By careful choice of parameters it is possible to use either 525/60 or 625/50 video with a sampling rate of 44.1KHz.

In 60 Hz video, there are 35 blanked lines, leaving 490 lines per frame or 245 lines per field, so the sampling rate is given by :

60 X 245 X 3 = 44.1 KHz

In 50 Hz video, there are 37 lines of blanking, leaving 588 active lines per frame, or 294 per field, so the same sampling rate is given by

50 X 294 X3 = 44.1 Khz.

The sampling rate of 44.1 KHz came to be that of the Compact Disc. Even though CD has no video circuitry, the equipment used to make CD masters is video based and determines the sampling rate.

[/quote]

So basically, to me that is, recording in 44.1 only makes sense, seeing as all my music is going to CD. If it were going to other formats, I would record at higher bit rates, but it's really not necessary, given that it will all get squashed in the end.

But keep this in mind; The sampling frequency must be at least twice as high as the highest frequency that you wish to reproduce because you must have at least 1 data point for each half cycle of the audio waveform. This is in regards to actual Khz or Hz. So if you're experimental with sound and its effects on people like some of the other guys on here, keep this in mind. lol.