Posted on Jan 12, 2012 01:10 am
bam_on_drumz
DAW Shaman of Drumz
Member Since: Jan 12, 2012
RTAs & Spectrum Analyzers: use Eyes with your Ears ~ Part1
Above is a frequency chart of semi-tone to octaves to use with this topic: {not included here sorry)...Mission - keep forums friendly!
Using Real-Time Analyzers - Spectrum Analyzers, Correlation Meters, PPM(db), Stereo Phase Graphs to assist: Room Set-ups, Signal input/output level checks & for Mix & Mastering illustration. It gives us a snapshot of the very fast & fluid world of audio metering & control of peak frequencies. I'll post more specific, detailed!next level info, make corrections I've missed & please send any comments, errors, omissions I've made...
Spectrum Analyzers, somewhat like viewing a handy EQ curve field panel is just that: a snapshot. In an RTA fast moving changes of pulsing audio content, gives one a visual reference & of course doesn’t replace ears.
SA’s like my fav the Pinguin Spectrum Analyzer {PAS also has an excellent SA with a built in digi graphic 31 band EQ) do more than just frequency levels, but PPM db meter, Frequency Spectrum Analyzer, Correlation meter & Stereo Phase graph. Using SA's to tweak systems for venue/studio will be in the next article...Cubase 6 also includes a complete set of these tools, including Pink-White noise gens...
No meter is designed to or for replacement of Ears, really! Though this sounds obvious, or so I thought until I saw a crazy thread on a forum recently, where experienced engineers (apparently) could actually find room to disagree widely, when a newbie asked about: how he should, if he should, use these tools & why Cubase didn‘t have one (Cubase 6 does!). The debate got so grim, I had to write up a piece to clear this up at least in our forum. And, please, feel free to add & challenge my comments but I’m searching for some middle ground here!! Lol.
Like a VU meter, we’d be able to mix without, but how handy do you find them? A good SA-RTA should only ever augment the best tools that come with your recording systems: they’re located in stereo pairs one on each side of your head! Side burns are a good guess but ears is the right & left answer. Closing your eyes when tweaking inputs, readying insert presets or levels for mixes can’t ever be replaced simply by a meter. That's akin to gluing your fuel gauge & expecting the gas to not run out, due to the meters indication. So, how did good sound tech’s get me so peaked, the utter lack of common ground that’s sensible.
Simple uses include: analyzing an input prior to recording a track, taking a look after recording tracks or a song; a group, looking for a problem segment of the frequency spectrum, to watch phase scoping to double confirm or refute a concern.
Details on uses: Cubase 6 contains a SA & a white & pink noise generator to test your room for anomalies/unique characteristics so that your monitor & room size, shape & surface type & densities so that you can correctly & effectively make alterations for more accurate monitoring. Even some of the most experienced live & recording sound engineers rely on this info to make good choices in design & processing.
More Details on use of SA-RTA‘s for both live & studio sound assessment:
A pink noise generator sends this noise through a sound system‘s speakers & then taken into a mic for assessment. 31 band EQ’s are used to adjust the sound until the issues are neutralized. Pink noise, a swishy sound which presents all frequencies in the audio spectrum by pushing out equal amounts of energy in each frequency allows a standard test of each room's shape & furnishings. Peaks & lows are displayed of the analyzer while running this through the system to accommodate objects that vary venue to venue or in a recording studio. The idea is to gain a flat response through equalization.
Signal to Noise Ratio in studios:
In studios, an analyzer is used for gaining insight to allow better equalizing of instruments at the input stage and for mixing. Both uses gain the best available signal to noise ratio. Signal to noise ratio is the variance in loudness levels of the "noise floor baseline" (produced by your Cubase's or a 3rd party SA) and a view of the average input signal.
When the recorded signal is low, you will hear part of the ‘noise floor‘. The increased loudness one can record an average signal, (avoiding distortion), the less "noise" to signal ratio is achieved (high level peaks cause bad signal to noise ratios). The analyzer will help make clear the peaks that are too high & thus you avoid peaks in one freq. band or another. Zeroing in on these, can be discerned by "closed eye listening" but this is where the argument for ears only stops, as these metering techniques & corrections via EQ-ing the less distortion in the track in the mix & your song sounds hot without peaking constantly, or often worse, occasional horrid peaks that stick out in the end result of poor frequency monitoring & control with an EQ or multi-band compressor.
I like to look at each instrument as I’m setting up the track for recording, then look at the song as it develops towards the Mixdown for trouble frequencies. Taking note of what goes down to a track, the a group (guitars, drums, vocals, bass) write through into mix & mastering visual cues have this ability to show what tired ears hear no more.
When used in a proper way along with closing your eyes & listening at high & low volumes is the best of both worlds & makes that thread I saw look & sound sheepish…And no-one told him where to look in Cubase (or which version) that has a set of these tools, that the newbie was asking about. My earlier statement: there’s no dumb questions, shows that some answers do not necessarily have the same immunity!
To sum up…use Spectrum Analyzers with care & try to hear what they are showing you. This will allow the best of both to emerge with a better result, with a careful use of these ideas. Especially in the age of 32 bit floating point rendering & the headroom this gives, getting the hottest signal without distorting key frequencies will reap the peaks of a solid mix process, that doesn’t exclude a major tool in our modern audio arsenal…Remember, take gremlins & problems in the process of recording & producing & try to see them as opportunities, challenges as this makes the process more enjoyable & these excursions an excellent learning process. Enjoy recording & OMF yourself into Cubase to get the best tools DAW has to offer. Hope this has been helpful….Happy Tracking…
Kerry Dixon copyright 2012 ~ Steinberg Club Cubase Vancouver
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