Posted on Oct 06, 2011 09:18 am
Quincysan
http://www.unitedmusicians.info
Contributor Since: Nov 11, 2007
After spending some time at my landlord's studio and working with an engineer that frequents the place, I think my next step is outboard compression. Already yakked at BH about it and he brought up a good point that outboard compression is not the first thing a studio should have, so I'll just re-cap what is already in place and you guys let me know if I'm missing something more important than compression:
-My mixing room is treated
-My tracking space is gi-normous, wood floors, brick walls, high ceilings
-Modified Digi 002R (BLAudio sig) interface
-SSL, API pre-amps
-I rent a collection of mics for about $100/weekend. AKG/Senneiser/Neuman stuff
So based on what I have, and what I feel like my mix is lacking right now, I want a compressor. Mainly to run the drum bus through and also for bass and vocals.
On one hand, my landlord is an electronics wizard and makes some fantastic clone gear. Total gearhead, and from what I've heard his work stands out. He'll take a clone schematic and make it as good or better than the original from a component level, and add some features along the way to make it more versatile. He's currently building a Neve 33609 clone available for well under $3000.
On the other hand, there's a Black Lion Audio Neve 33609 "homage" that is available for less than half the price. It isn't marketed as a clone, so I'm sure some "cost efficiencies" were granted in the build design somewhere...but where? I'd really like to know some most likely components to ask about. I emailed BLaudio but they aren't eager to share it seems.
I haven't heard either unit, and if I order the BLaudio and decide to return it there's a 15% restocking fee so I'd prefer to avoid the trial and error method. Anyone out there using outboard compressors know what the relevant electronics are to these things? Do I need to compare the transistors, etc?
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