Wall of Sound
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Posted on Jan 12, 2003 09:29 pm
Cleamon Jones
Member Since: Dec 31, 2002
This seems to be the best place for recording advice, so here it goes. I'm really into the Brian Wilson/Phil Spector "Wall of sound" type of reverb and wondering if you guys had any ideas on how to achieve this. I've read somewhere that the only "true way" to produce the sound is with mono recordings. Is this right? There also has to be the right combination of instruments building up. Any suggestions or directions on where to go would be greatly appreciated.
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Noize2uCzar of MidiAdministrator
Since: Apr 04, 2002
Jan 15, 2003 04:35 pm They both used a lot of natural space's to create the sound you hear on those recording's. Yes it is true they recorded alot in mono, but that was because they prefered that method. When recording single instrument's that is the norm. Now we have so many stereo synth's and guitar emulator's that it is common to record in stereo for the effect. You can still get the same effect with stereo recording's that you can with mono. Mono track's give more direct placement of the sound then the stereo track's and are a bit easier to layer in without getting all mucked up sound wise. You just want to be carefull to make each instrument sound indavidual, meaning judicious use of EQ and reverb. Be very sparing with the reverb on the individual track's and don't over do it, or you could end up with a muddy mess. Also pay close attention to where you place each instrument in the stereo field, give each one it's own space.
If you pay close attention to giving each instrument it's own sound, you will be able to layer many track's to get a very thick sound.
Jan 15, 2003 08:51 pm "don't over do it, or you could end up with a muddy mess"
That's what those old "wall of sound" records sound like to me. Anyway- the more instruments you record live- gives the sound your looking for too.